Literary Analysis Of The Veldt By Ray Bradbury

Ray Bradbury’s “The Veldt” suggests the difficulties distinguishing the differences between reality and technology’s effects on distorting realities of life in a futuristic setting. From a third person’s point of view, the narrator illustrates deception in the destruction of the nursery as the story escalates towards the climax. When George shuts off the HappyHome system because of the peculiar malfunction in the nursery and his children’s increasing willfulness, the narrator reveals, “The house was full of dead bodies, it seemed. It felt like a mechanical cemetery. So silent” (Bradbury 7). Initially, George had admiration for the mechanical genius who conceived the nursery room. In contrast to his pride and love for the machine, George shuts off the house system. Without any technological power, the house is deathingly silent. At this point, this quotation signifies the ambiguity of reality versus abstract in technology when Bradbury creates personification and imagery of the machine. Using diction, ‘mechanical cemetery’, Bradbury develops the eerie tone and foreshadowing by depicting a gruesome realism imagery of technology’s victory over humanity. This quotation creates awareness of the negative impacts on technology slowly becoming realistic.

Ray Bradbury’s use of personification in the machines deceive the characters’ perception of reality. Bradbury employs personification, describing the workings of the house’s mechanical functions in a way that suggests the house has successfully acquired human qualities. When the machines are shut off, the house is a “mechanical cemetery”, reinforcing the ironic message that the house is dead without the technology in action. This paradoxically suggests that human activities in the home of Hadleys are sadly revolved around technology. The morbid phrase, “full of dead bodies,” foreshadows a foreboding result due to the Hadley’s children having developed a close relationship with the mechanical system and created animosity towards the parents. The house personified as ‘So silent’, emphasized through alliteration, engenders the parents’ active role in destroying the machines in an attempt to save the children, not realizing that they have also destroyed their relationship with their children. The alliteration in ‘So silent’ creates an eerie and uneasy mood as if the house seems to remain dormant until it is ready to take victory over the parents who are trying to suppress it. Through personification, Bradbury creates an illusion of reality in a seemingly peaceful home.

SOURCE