Ethnicity in Guillermo Gómez-Peña’s Performances Term Paper

Ethnicity is a societal process that is noticeable by diverse facets. Evidently, when this concern merges with social class discrepancies and racial differences, it affects humanity by creating a platform for increased disintegration (Fenton 1).

Considerably, the current initiation in technology combined with increased globalization continues to cause remarkable decline in ethnicity. Consequently, the role of human art in uplifting social parity, creating awareness, and enhancing integration across ethnic groups is unavoidable. For example, a keen analysis of Guillermo’s work shows successful dedication to social parity and integration across expansive and diverse societies. Although born Mexican, Guillermo’s passion for art leads him to US for studies after which he sets a contribution to art and social advocacy (Huízar).

Although negative ethnicity still exists, it is up to individuals to rise above it and utilize their talents to overcome it. “La Pocha Nostra,” an anti racist body strives to promote social integration through art. Composed of diverse groups and personalities world wide, La Pocha engages in a variety of performances, utilizing information technology facilities to create socio-political awareness whereas enhancing interaction of the global community. Such initiatives help in the fight against ethnic based discrimination and foster integration.

Ethnicity is as old as humanity, with effects evident across all spheres of life, such as performance art. Performance arts emerge as basic unifying element. This is because diverse tribal groups rejoice art from diverse divisions. Its revolution from 1960’s up to date shows a series of adjustments that comply with societal interests, and globalization (Fenton 30). The trends make performance art tolerable in all ethnic groups globally, reducing the rejection and boundaries that previously existed. Implications of ethnicity can significantly lessen depending on individual initiatives.

The artistic works of Guillermo illustrate the importance of constructive application of talents and endeavors aimed to minimize ethnicity. Although still prevalent in many cities and states, the growing century will experience decrease in ethnicity due to increased enculturation and diffusion of art across borders. Human movement and immigration include also enhance decline in ethnicity (Fenton 51). Unlike presently, ancient times had unpleasant incidences of contravention of human privileges including slavery. Guillermo’s ability to reach the global society through technology and create an affirmative attitude towards performance art is admirable.

This is evident in the US where he is not native thus depicting the constructive influence talent has on ethnicity. With the advent of technology, Guillermo foresees and works towards a universal and multicentric comprehension of cultures, and addresses social injustices through humor in his digital performances (Huízar). Establishing the web as a global community using unique and universally tolerable art that is globally accessible would help lessen ethnicity.

Works Cited

Fenton, Steve. Ethnicity. Massachusetts, MA: Polity, 2010. Print.

Huízar, Angélica. Guillermo Gómez-Peña’s “Tekno Poética” Web Verse, Lost and Found in a Webspora. Old Dominion University. Nd. Web. 2011.