Doll House: Insight Into Plight Of Women
Henrik Isben has become an essential individual within the social dimensions and understanding the plight of women. Accordingly, the significant achievement in portraying women within the social aspect has been both unique and unusual through developing a different perspective about women. As such, the undeniable impact of the individual has been through the emphasis on creating drama on the evaluation of the rights of women.
In a male-centric society, the play “A Doll House” presents a distinctive oversight about the womenr’s position. Accordingly, the theme circumventing the rights of a woman is extensively prevalent. Women have to undertake a passive role in accepting their situation and focusing on individuality in accomplishing individual rights within society. Indeed, within the patriarchal society, the evident control that men asset on women is outright both in the 19th and 21st century. Accordingly, the evaluation of womenr’s right as a prevalent theme is evident is divisionary and produces diverse perspectives.
The underlying social problem within Ibsenr’s drama is the investigation into the rights of women across the patriarchal society. Accordingly, the focus on the tragedy in which the main character leaves her house with the ambition to make it in the world of possibilities is evident (Hill, 2010, 4). Nora takes off to undertake the personal responsibilities. The form of personal responsibility to empower oneself is prevalent throughout the story. As such, Nora vehemently states that which duties do you mean? Nora: my duties towards myself (Ghafourinia & Amili, 2014, 424). Majority of the pundits such as Ghafourinia & Amili, (2014, 425), emphasize that the rights of a woman within the society are at the center of the character development process. As opposed to living in an illusion with the man of her dreams, the main character focuses on making the necessary changes to create a transformative outcome.
As well, the men in Nora’s life assert their control based on the belief that it is the man’s role to declare both power and order in the daily interactive process. As a clear example, Helmer emphasizes the need to enhance reputation through making the necessary sacrifices for his life (Ghafourinia & Amili, 2014, 425). The patriarchal society revolves the notion that the man should assert control over the woman. Nonetheless, Norar’s form of win is through the idea of self-development that entails becoming a woman in her own right. A society that treats her as a nullity is of concern and change should prevail. Accordingly, in a life of nullity whereby women are not appreciated for their role, Nora is willing to leave her family, marriage life and discard her full life to enjoy individuality.
The dramatic play shows that the audiences come to terms with the rigidity in morality of Helmer, Norar’s husband in accepting the rights of women that is evident. The societal perception of men surrounds the concept that a woman cannot make significant progress without the involvement of men. As such, the man has to assert control in the operations of a woman and sacrifice is at the core of personal maturity at the social setting. Nonetheless, Nora exudes significant internal conflicts (Hill, 2010, 4). Accordingly, making the necessary sacrifices for her is evident to ensure a fulfilling life proceeds. The assertion that we have never sat down together to get anything done” portrays a clear picture on the non-existent conversation between men and women (Ghafourinia & Amili, 2014, 425). The assertion that is outright in the monologue portrays that the treatment of women is negative. As such, women are described as second-hand creatures and the undisputed evident rights are considerably ignored. Accordingly, the serious discussion about the role of men and women coupled with the rights of women circumvents elements of modern drama in such a divisive patriarchal society.
Due to numerous reasons, Nora opts not to stay in the Doll House any longer. The need to continue with her emotional heartache and sacrifices are too much for the main character. Accordingly, the unwillingness to submit to her husband and face the consequences is an ongoing element in the quest for self-empowerment (Ghafourinia & Amili, 2014, 425). Consequently, the change in personal behavior through deciding to stop her submissive role in the society comprises of an unthinkable action for the middle-class woman during her time. As well, the notion that few women had taken such a drastic action during her time is an element of social drama that is relevant and influential to date.
Across the present environment, the social drama by Henrik reflects the ongoing quest of appreciation of the role women play within the social dimension. Appreciating their rights is at the core of the drama (Isben, 2009, 1). Of significance is the ongoing feminist movement that has been fueled by such works of art that present the need for continued appreciation of women within the social dimension. Accordingly, the evaluation of the gender politics, sexuality and power relations are some of the issues that the drama exudes relevance to the present environment. Consequently, the increasing problems of equal pay, discrimination and reproductive rights as issues within the 21st century can be related to the period of the drama.
The ongoing theme of the rights of women portrayed in the play is of significance to the empowerment trend that is critical towards the appreciation of women. Throughout the drama, the ongoing need to appreciate the positive impact of women should be integral for men and the development process (Ghafourinia & Amili, 2014, 425). The drama should be the starting point to generate insight into the feminist movement. Inclusive of the fight for the rights of women is the grassroots that shape the quest for womenr’s role within the society. In a culturally specific society, addressing the underlying gender issues should be at the core of personal movement process. The detailed projection of the ongoing female oppression couple with the additional increase in drama is self-moving for women in their cry for a change in the society. As such the experience of the women across society is an illustration of the conventional society that is prevalent in the contemporary setting. The need to seek freedom and continued self-empowerment is an issue of concern that is highlighted by the play that resonates to date.
Doll House presents a unique insight into the plight of women. Within a society that is based on patriarchal views, women such as Nora have to resort to distinctive approaches to assert their position. The right of a woman to establish her position is evident and necessary for personal development. As well, the move by the main character to disregard her family and create independence is apparent. Accordingly, through her movement within the play, the prospect of empowering women in a masculine society resonates to date. Consequently, the outcome of the play is an enabling aspect for women that can be adapted to date.
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Henrik Isben has become an essential individual within the social dimensions and understanding the plight of women. Accordingly, the significant achievement in portraying women within the social aspect has been […]